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Associate Professor at the Department of English and German of the University of Zaragoza (Spain). My research interests are transnational cinema, science fiction, space, borders, cosmopolitanism, globalization, and spectacle. I am a member of the research project “From Social Space to Cinematic Space: Mise-en-Scènes of the Transnational in Contemporary Cinema” (twitter: @SpacesCinema) and I coordinate, along with Reuben Martens, the Speculative Fiction workgroup at NECS (European Network for Cinema and Media Studies): https://necs.org/members/workgroup/6232
I have recently published the book Science Fiction Cinema in the Twenty-First Century: Transnational Futures, Cosmopolitan Concerns (Routledge, 2023).
I hold an MA in Textual and Cultural Studies and a PhD in English and Film from the University of Zaragoza. Previously, I graduated in English Studies from the University of Alcalá (Madrid), receiving the 2011-12 National Undergraduate Award in Arts and Humanities from the Spanish Ministry of Education. I have also been a student or a visiting scholar at the University of Vienna, Skidmore College (New York), the University of California, Riverside, and the University of Portsmouth.
Artículos
Libros
Capítulos
Colaboraciones en ediciones de revista
- Film Journal. 2556-4161. 10/09/21
Proyectos
- H23_23R: Cine, cultura y sociedad (CCS). 01/01/23 - 31/12/25
- PID2021-123836NB-I00: Del espacio social al espacio cinematográfico: Mise-en-scènes de lo transnacional en el cine contemporáneo. 01/09/22 - 30/11/25
- H23_20R: Cine, Cultura Y Sociedad (CCS). 01/01/20 - 31/12/22
- FFI2017-83606-P Entre la utopía y el armageddon: los espacios cosmopolitas en el cine contemporáneo. 01/01/18 - 30/09/22
- GRUPO DE REFERENCIA CINE, CULTURA Y SOCIEDAD (CCS). 01/01/17 - 31/12/19
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/16 - 31/12/16
- GRUPO CONSOLIDADO H12 CINE, CULTURA Y SOCIEDAD. 01/01/15 - 31/12/15
- FFI2013-43968-P De lo transnacional a lo cosmopolita: metodología para el cine contemporáneo. 01/01/14 - 31/12/17
Dirección de proyectos fin de grado
- The Dead Don't Hurt (2023): Reimagining Female Agency in the Western. Universidad de Zaragoza. Notable. 17/09/25
- A Queer Utopia? The Shadow of Oppression and Hopeful Spaces in Call Me by Your Name (Guadagnino, 2017). Universidad de Zaragoza. Sobresaliente. 18/06/25
- Screaming for Progress: New Feminine Models, Traditional Masculinity in Crisis and Homosexual Undertones in Wes Craven's Scream (1996). Universidad de Zaragoza. Matrícula de honor. 24/06/24
- The Two Faces of "Promising Young Woman" (2020): Drawing from the Rape-Revenge and the Romantic Comedy Genres. Universidad de Zaragoza. Notable. 19/06/23
- Aiming at Gender Stereotypes, Aiming for Freedom: The Figure of the Disney Princess in Brave (2012). Universidad de Zaragoza. Notable. 19/06/23
- The Multiplicity of Madness: Ambiguity in Robert Eggers¿s The Lighthouse. Universidad de Zaragoza. Notable. 26/07/22
- "Goodbye, Mr. Anderson": Transgender Issues in The Matrix (Lilly and Lana Wachowski, 1999). Universidad de Zaragoza. Sobresaliente. 01/07/22
- Red Sparrow: A Potpourri of Russian Stereotypes. Universidad de Zaragoza. Notable. 01/07/22
- "You Give Me the Creeps": The Permeability of Toxic Masculinity in Anthony Minghella`s The Talented Mr Ripley. Universidad de Zaragoza. Notable. 30/09/21
- "The Monster behind the Monster": An Alternative Reading of the Family in Mary Shelley¿s Frankenstein (Branagh, 1994). Universidad de Zaragoza. Aprobado. 02/07/21
- La música como recurso didáctico en el aula de segunda lengua extranjera. Universidad de Zaragoza. Notable. 08/01/21
- ENSEÑANZA DE LAS CIENCIAS SOCIALES A TRAVÉS DE LA METODOLOGÍA AICLE EN LA ESCUELA RURAL. Universidad de Zaragoza. Notable. 09/07/20
Dirección de proyectos fin de master
- ¿Over The Rainbow: Audiovisual Media as a Tool to Raise Awareness of Discrimination towards Queer People in the Secondary School EFL Classroom¿. Universidad de Zaragoza. Notable. 16/09/25
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